Posts Tagged ‘Fabian Reimair’
We might still be in November but Christmas is well and truly on its way now English National Ballet is delighting audiences with its dreamy Nutcracker at Milton Keynes Theatre.
Nothing gets me in the festive spirit quite like hearing the opening notes of Tchaikovsky’s glorious score. There are many different versions of this seasonal ballet but the magical music is timeless and immediately evokes feelings of anticipation, enjoyment, excitement, adventure and beauty. Superbly played by English National Ballet Philharmonic, the familiar compositions envelop audience members in a blissful ballet bubble from the overture right through to the finale.
The company’s current Nutcracker, choreographed by Wayne Eagling, is wonderfully wintery and heart-warmingly whimsical. On a frosty Christmas Eve in Edwardian London a family hosts a celebratory get-together. Among the guests is Drosselmeyer, a magician and maker of toys, and his handsome nephew. Young Clara is besotted with the nephew and eagerly dances with him before receiving a painted wooden nutcracker soldier from the mysterious Drosselmeyer. Thrilled with the gift, Clara happily dances with her new doll until a scuffle with her brother Freddie results in the nutcracker being damaged. Fortunately, Drosselmeyer works his magic to fix the wounded toy before the children are sent off to bed. What happens next is a fanciful adventure. Clara encounters an evil Mouse King, battles with the Nutcracker against an army of mice and travels to the Land of Snow. Later, she is entertained by dancers from all over the world, presented with a pretty posy of waltzing flowers and comes of age dancing with her very own prince.
Incredible dancing. Intense storytelling. Totally immersive. English National Ballet’s new Giselle by Akram Khan is an epic dance experience. Everything about the production is so inspired that, after joining an elated audience in a lengthy standing ovation, I left Sadler’s Wells utterly convinced that no words will ever do this masterpiece justice.
The company, under the direction of Tamara Rojo, is intent on evolving the art of ballet. While still honouring the classical tradition (the dancers begin their Nutcracker season at Milton Keynes Theatre next week), English National Ballet is adding amazing diversity to its repertoire with fresh new works. Following the resounding success of Khan’s Dust for the Lest We Forget programme, anticipation has been sky-high for his Giselle.
In short, it is a triumphant re-imagining of the 1841 Romantic Era ballet. All the essential themes – love, betrayal, revenge, the opposing realms of life and death – remain but Khan’s vision teases out the dark undertones that have always been there. Dragged to the surface, these elements are expressed with visceral urgency, arresting intent and harrowing sensibility.